Posted by
cavalier973 on Saturday, December 06, 2008 10:16:34 PM
The above link is to a liberal blog whose author makes the claim that "It's a Wonderful Life" is a movie based on liberal philosophy. This is an exquisite response from a scholar and a gentleman:
"matt621 said:
'Just finished watching it for the ten billionth time on Christmas Eve, and I don't know how anybody could argue that it isn't one of the most liberal movies ever.'
In a year featuring anti-war box-office smashes like “In the Valley of Elah,” “Rendition,” “Lions for Lambs,” and “Redacted,” that’s a pretty bold statement.
It’s either a tribute to Oliver’s ignorance of the world or a testament to his sadly warped view of it, that he can make such an absolute statement like that and expect it to stand up.
Potter as Dick Cheney, the prototype of moviehouse eeeeeeeeevil. Personally, I prefer Sydney Greenstreet in The Maltese Falcon, but to each his own.
What’s missing in the partisan myopia, is that the generation-long battle between the Bailey family and Henry Potter is not a battle between liberal and conservative but between good and evil.
It’s no surprise that Oliver’s Army would miss the distinction; good and evil are apparently mere quaint abstractions in their eyes. Except when a political distinction can be inserted – then, according to their particularly twisted take, we have the wholesome goodness of liberalism and the irredeemable evil of conservatism. And may Mother Earth rain volcanic ash upon your house should you ever confuse the two.
But is that what IAWL shows us? That Oliver’s Neanderthal grunting of “Liberals Good, Conservatives Bad!” is but a shadow of Frank Capra’s 1946 prescience?
Not at all.
As in all of life, the tale is never as simple as the “nuanced” liberals would have us believe. There’s barely a lick of liberal philosophy to be found in this film. It is only Oliver’s twisted vision, equating apparent good to liberal principles and apparent evil to conservative principles, which allows him to argue such a thing at all.
Is it a liberal film? Well it might be…
If we believe that the Building and Loan would go to the government for a bailout after Uncle Billy’s blunder…
If we agree that Freddie Othello is justified in opening the gym floor swimming pool to give George and Mary a dunking because it’s not his fault he’s a crushing bore, George stole his girl! Freddie was just an innocent victim…
If we agree that George Bailey’s ultimate happiness depended on his personal fulfillment and self-esteem, and not on grasping that which had always been right in front of him, if only he had the wit to reach out and take it…
If we agree that none of George’s problems were his fault, but instead were unpreventable, inevitable, insolvable, due to “circumstances beyond his control…”
If we understand that Pottersville’s main drag is a precise re-creation of the means by which government keeps the poor from improving their lot by catering to the lowest common denominator: Dancing girls, lottery tickets, pawnshops, and plenty of booze to dull the pain; all heavily taxed, no doubt, to keep the government coffers overflowing, if not simply to redistribute Potter’s unchecked wealth…
Maybe Oliver is right. That’s what you get with liberal government - the illusion that life is supposed to be always fair and always happy. If you hold to those peculiar definitions of “fair” and “happy.”
No, this is not a liberal film. What IAWL is, is a film that celebrates several things: the benefits of foresight, hard work, saving, self-reliance, perseverance and thinking of the other guy first; the notion that happiness is not a destination to be reached just over the next hill but a flower always blooming beside the road, just waiting to be picked and enjoyed; and finally, that divine intervention and the hand of God are real.
Not precisely aligned with the traditional liberal canon, these.
What do we see in Bedford Falls that causes us to celebrate liberal philosophies?
Clean, decent, affordable government housing! Oh, wait…Bailey Park was filled with houses built with funding from a small business, not by the government.
Government subsidized work programs! No… the Baileys owned their business and ran it well without government intervention… Gower’s Drugstore & Emporium… Martini’s Bar… where is the hand of the state in the success of these and all the other small businesses in Bedford Falls?
Perhaps the separation of church and state! Well, yes… because the film opens with a montage of prayer, but not a single government official can be heard. Only prayerful concern lifted for a man who’s reached the end of his rope, by a town full of all the souls who have reaped the benefit of that man’s goodness and generosity for a generation. I believe Oliver would call these folks, as he has in the past, “religious nuts.” Certainly they are not the preferred poster children for Oliver’s liberal dystopia.
What about George Bailey himself, liberal crusader for truth and justice? Hardly! Is it by the power and benevolence of the government that George acts and gives and sacrifices to save his brother’s life? No. To prevent Emil Gower’s life-threatening mistake? No. For the Building and Loan after his father’s death? No. So that his brother can go to college? No. So that selfish b-----d Harry can pursue his own marriage and his own dreams? No.
Is it with the power of the government, or by the sacrifice of his own honeymoon stake, that he again saves the Building and Loan from Potter’s hands?
Is it the power of government, or George’s own position as head of the Building and Loan, which ushered in a period of growth, prosperity and personal gain for Bedford Falls which so galled Potter that he finally was reduced to offering George a job in an effort to end the Building and Loan’s encroachment on the Potter empire?
Was it government regulation, or free-market entrepreneurial capitalism, that allowed the Building and Loan and Bailey Park to thrive?
George’s self-reliance and self-determination guided him in every case, in every crisis, with never an expectation that a New Deal program or a government dole, or even the person he helped would come back around to bail him out.
Even Ma Bailey, without husband Peter, never-existing son George, or long-deceased son Harry, made her own way. She converted her home to a boarding house. Where is the government to provide her cushion?
And was George himself a religious man? The evidence is unclear. In Martini’s bar, just before the final thread snaps, a desperate George Bailey, about to be arrested, picks up the phone and calls the government to bail him out, right?
Nope. Like a universe full of desperate men before and since, when there is no other help to be had, whom does he seek?
“God...Oh, God...Dear Father in Heaven, I'm not a praying man, but if you're up there, and you can hear me, show me the way. I'm at the end of my rope. I... Show me the way, God.”
George admits he’s not a praying man… in the middle of a prayer. We learn from Joseph, the narrator (an angel in heaven, but surely that’s a mere cinematic storytelling device, not a true representation like the evil conservative Henry Potter!), that on V-E day, George wept and prayed, and on V-J Day, he wept and prayed again.
Turning to God before the government? A liberal champion like George Bailey? Just another atheist in another foxhole.
Oliver, what movie are you watching?
But what do you gain with conservative financial principles like planning and foresight, with a plan to save money and avoid debt?
If you want to, you can put off going to college for four years, work, save and earn enough to pay for college without borrowing. Or send your brother if your father’s untimely death leaves you to take over the family business.
If you plan, work and save, you can gather enough cash to go on a lavish honeymoon and not have a crushing debt follow you home. Or you can save your family’s livelihood.
Because, damn, you just can’t plan for these sorts of disasters in life, can you? Unless, of course, you do.
If you save money, if you exercise foresight and planning, you can buy a big, old, drafty, rundown mansion and spend years slowly painting and hanging new wallpaper and building a showplace (eventually you might even be able to fix the finial atop the newel post at the bottom of the stairs), and not risk losing it to the bank. Wow, that’s a lesson that endures, isn’t it?
What about happiness? Was George ever going to find happiness outside Bedford Falls? Why should he? It took him 25 years to see it, but he finally realized everything he had overlooked – a devoted wife and loving family, a war-hero brother who after all his accomplishments understood that his big brother was a better man than he, a town full of friends and people who loved and respected him with such feeling that they emptied their collective coffers for him in a time of need.
It was not what he did or didn’t do, not what he had or didn’t have, not who he knew or didn’t know that made George Bailey a happy man; it was nothing more than who he was, a man of strength, character and values. A man who in the final moments saw how the little efforts he made had the greatest effect, saw not the world he wished for but the world he lived in. He finally understood that his happiness had been there underfoot all the time, and his endlessly delayed chase for the end of the rainbow would have only taken him farther from it.
And of course, the framing device in the film, opening with a town’s prayers for a lost soul, and ending with a redemptive miracle that not only saves a man’s eternal soul but earns an apprentice angel his wings?
Have you been touched by his noodly appendage? George Bailey certainly hasn’t.
George Bailey, a liberal?
I must admit he did have that irritating habit of wishing for a million dollars every time he walked into Gower’s drugstore. That’s a pretty liberal trait, but George also had that annoying work ethic and habit of saving that betrays the liberal faith.
But, George Bailey, a liberal?
He jumped into a river to save a drowning man. Would Ted Kennedy have done the same?